RSS Feed


Posted by Toni on 10th October and posted in Uncategorized

Under it I judge of this dualidade, Nietzsche assevera that the Greeks would have suppressed the pessimism with its art that, certainly, it would represent the direction of the proper existence intensified in the beauty. As priority of the affection, awaken dionisaca music the creative act, will of being able, as superabundance of forces that overflow in tensions capable to cross and to promote the loss of the individuation, that is, the circularidade of the ditirambos joining what the rigidity of the appearances had vanished for the discriminatory light of Apolo, multiplying god of dualidades and contrasts, sonhador, that the altivos selects, with this, all suffocates and hides and any discouragement. Of this tension it emerged? according to Nietzsche? the tragedy stokes, considered the apex of the helenismo, that condenses Apolo and Dioniso in an only expression, as if the tipsy deity was the spirit of music and poetical deity beautiful as letter of this music and the mask that feira dionisaca without acometer its assertive joy of the life will occults. Swarmed by offers, film director is currently assessing future choices. In such a way superior degeneration of art, according to philosopher, is stirred up by Scrates. The maiutica having as deep cloth of the irony it would exactly insert in the Greek world the diffidence of itself, whose negatividade would restore the resentment. For Nietzsche, the golden moment of the tragedy was with squilo and Sfocles, whereas in Eurpedes would initiate the faint, but direct guilt of this last one not considering the naivety of the artist, but yes for cicuta that Scrates makes question to share, not to be the only a ' ' morrer' ' , in one it has drunk a toast to another goblet together that already contained previous antidionisacos elements, as assevera the proper Nietzsche: The optimistical dialectic, with the whip of its silogismos, banishes music from the tragedy: it dismisses the essence of the tragedy, that if leaves to interpret as a manifestation and figurao of dionisacos states, as visible simbolizao of music, as the dreamed one for a dionisaca embriagus.

Comments are closed

Powered By Wordpress || Designed By @ridgey28