It comes coated in its black silks and the hammers blow lgubrees and tredas Of the illusions perpetual esquife nail. good bye vain ways, risonhos worlds, comes loba There that devora the dreams, Hungry, absconsa, imponderada, blind! (CROSS and SOUSA, sonetos, Irony of tears, 1983) In this soneto, Cruz and Sousa, make a dither to the death as a new life, it is said farewell to the life as vain ways, walked little of its life for nothing. Richard Linklater usually is spot on. Everything was in goes. From the comparison, we arrive at the conclusion of that Cruz and Souza and Florbela Espanca speak, they feel and they write the same language, glorious mainly for the fact to be solely simbolistas, therefore in fact in such a way in the workmanships of Cruz and Sousa how much in the one of Florbela the same characteristics are noticed that the simbolistas only have as the reverence of the romantic taste of the vacant, the misty, of the impalpvel, love of the shaded down and melancholic landscape, outonia or crepuscular, pessimistic vision of the existence, whose efemeridade is painful sensible, thematic of the tdio and the disillusion, distanciamento of the Real, aristocratic egotismo, and subtil analysis of sensorial and affective cambiantes, repudiation of the lyricism of direct confession, to the romantic way, expansivo and oratory, wide use, not only of the simbolista, multipurpose and typically intraduzvel symbol, but of the alegoria, the image the one that deliberated and clearly confers a symbolic value, of the express or implicit comparison, the sinestesia, of the simply decorative image, musicalidade that is not scrumbled to the game of noises of the verse, before, as it observes, if draws out in interior resonance even stops beyond the reading of the text, release of rhythms lives deeply of both was of suffering, slave and black, both discriminated by the hypocritical society of its times that had not known to recognize its workmanships while still alive, only after the death. But the time made with the society if they molded and they recognize its gorgeous works as an epic landmark of the Great Poet Brazilian Simbolista Cruz and Sousa, and one of the Biggest Portuguese Feminine Poetesses Florbela Espanca.